Michael Paulo and friends at Jazz Minds
"Now this is what a jazz club supposed to feel like," said bassist Bob Hernandez. "People are talking, listening, enjoying themselves and breathing in the music."
Michael mixes things upI figured Michael Paulo would invite a string a of great musicians, like Kirk and bassist Bob Hernandez, to jam through night. Instead, Michael ushered a constant, rotating stream of artists up to the stage, trading drummer for drummer for drummer for drummer, bassist for bassist plus another bassist (that's two onstage at once). Soon Mike added a guitarist to the mix, switching out the pianist and adding another keyboardist, and all the while taking his five to 10 minute-long solos to new heights. This is Michael Paulo's Java and Jazz, a (tentatively) recurring event featuring live jazz music and Gano coffee. (Stay tuned for more updates on future Java and Jazz jam sessions.)
Michael Paulo and Elliot Maker
The lightning strikes"Here comes the lightning," Kirk said to me as we watched Michael about to start a solo, after everyone else had their turn. As if the accompanying musicians rocked the house like thunder, Hawaii's greatest saxophonist stepped forward and followed up with a powerful force that would make Mother Nature quiver. Kirk was right about Michael's soloing—lightning, all throughout the evening.
Michael Paulo: Java and Jazz at Jazz Minds, Honolulu, Hawaii.
Over a dozen top musicians at Jazz MindsI can't recall the names of every musician on stage—and in the crowd there were plenty more, including Kalapana member Randy Aloya—but from what I remember, here's who joined Michael Paulo at Jazz Minds last night:
Kirk Thompson (piano, keys), Bobo Butires (percussion), Steve Jones (bass), Steve Lucas (vocals), Elliot Maker (flugelhorn), Mike Kessler (guitar), Bob Hernandez (bass), Dean Cortez (bass) and his son Justin Cortez (drums), Alvin Fejarang (drums), Rene Paulo Jr. (drums), and Juan Reyes (trumpet). Three other musicians (synthesizer, bass, and drums) I don't know the names of, if you know who I'm talking about, help me complete this list please!At one point, Michael stopped a jam 12 minutes in. "Hold on, hold on, break it down, break it down. It's not often that we've got two—not one, two—two bass players on stage. We gon' make 'em talk to each other." Michael directed everyone's attention to Bob Henandez and Dean Cortez (of Hiroshima) who, groovingly, ensued in a double bass jam.